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|--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |-2-2-2-0-2h4~-2-4-5-4-2-2/4---------------------0-2h4-4-2-0---0-2-4-| |----------------------------5\2-2-2-0-0h2-0-2-4-------------2-------| |--------------------------------------------------------------------| |------------------------------------------------------------------| |-----------2h3p2---------2h3p2---------2-3-5-3-5/7--7-7-7-7h8p7---| |-0----2/4--------4-------------------4--------------------------9-| |---4---------------4-0---------4/7-4------------------------------| |-----------------------2------------------------------------------| |------------------------------------------------------------------| |------------------------------7-| |-7-7-7-7-10-8-7---7-7-7-7-7-7---| |----------------9---------------| |--------------------------------| |--------------------------------| |--------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash