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|--------------------------------------------------| |--------/7--7-8-7h8p7-----8b10---8-7h8p7----------| |-/6-7-9---------------9-7------7---------9-7-9-11-| |--------------------------------------------------| |--------------------------------------------------| |--------------------------------------------------| |-------------------------------------------------| |-10-8-7-------------------/7-7-8-7h8p7-----10b12-| |--------9-7-9b11r9-7-6-----------------9-7-------| |-----------------------7~------------------------| |-------------------------------------------------| |-------------------------------------------------| |--7------------------------------------------------| |----10-8-7h8p7---7---8-7-5h7p5---5---7-5h7p5-------| |---------------9---5-----------7---7---------7-6-7-| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |-/10--9--7----------3-------0---2-| |------------10b12---3---3---0---3-| |--------------------0---2---0---2-| |------------------------0---2---0-| |----------------------------2-----| |--------------------3---2---0-----|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash