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|-------------------------------------------| |-------------------------------------------| |-------------------------------------------| |-9--9--------------------9--9---7--7--7--7-| |-9--9---11--11--11--11---9--9---7--7--7--7-| |-7--7----9---9---9---9---7--7---5--5--5--5-| |---------------------------------------------| |-------12--14b16-14b16-14b16-14-12-----------| |-11/13-----------------------------11b13--11-| |---------------------------------------------| |---------------------------------------------| |---------------------------------------------| |-------------------------------------------------------------| |--------------------------------------9h12p9---12b14-12b14--| |------9-11-11b-13r11-11b13-11b13-9-----------9---------------| |-8/11------------------------------11------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash