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|---------0----------2--------2-----4-----0-------------2-----4-| |-------0----------2--------5------------------5------5---------| |-----2----------4--------4------4-----4-----4------4------4----| |---2----------4------------------------------------------------| |-0----------2------------------------------------4-------------| |-----------------------0---------------------------------------| |----0-----7----5----4--------2-----4----------------------------| |--------9----7----5--------2-------------5-------------5------5-| |-4-----------------------2------2-----2-------6------4------4---| |--------------------------------------------7------4------4-----| |-----------------------0-------------------------2--------------| |----------------------------------------------------------------| |---------------------| |--------4------------| |------4----4-----4h6-| |-4--4----------------| |---------------------| |--------------0------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash